Beauty Flow

Kevin MacLeod

Isn't it amazing how compelling an old synthesizer can be when it is being run by an arpeggiator? There are so many subtle patterns that present. Before arpeggiators, we had to find patterns in our music by using corkboards, newspaper clippings, pushpins, coloured yarn, and 8x10 black and white glossy photos. The percussion does change during this piece, but it won't get in the way of your energetic interview. Isn't it amazing how compelling an old synthesizer can be when it is being run by an arpeggiator? There are so many subtle patterns that present. Before arpeggiators, we had to find patterns in our music by using corkboards, newspaper clippings, pushpins, coloured yarn, and 8x10 black and white glossy photos.

The percussion does change during this piece, but it won't get in the way of your energetic interview.

Isn't it amazing how compelling an old synthesizer can be when it is being run by an arpeggiator? There are so many subtle patterns that present. Before arpeggiators, we had...
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