A hard-driving salsa/Latin jazz instrumental.

A short, hard-core, bebop two-part invention for solo piano/keyboard. This piece wouldn't exist except for the huge influence of Thelonious Monk (to whom the piece is dedicated) and J. S. Bach.

The first minute and four seconds is based on the chord changes of the introduction of a famous salsa song (El Gran Varón), here used as the basis of a plaintive guitar-driven nocturne. The second half of the track is a minute of instrumental salsa.

A slightly melancholic solo guitar is eventually joined by a rustic flute in the first part of the track. Following the bridge, a solo female vocal enters. The lyrics are from a public domain poem by Emily Dickinson. South Winds jostle them; Bumblebees come, Hover, hesitate, Drink, and are gone....

Against a brooding, electronic backdrop, a lone tenor sax wails in the night. The track is a remix and remaster of the first part of the track, "Ex Machina", from my royalty free album, Experiments in Green.

For the first minute and 39 seconds, the track has a dreamy, relaxed vibe of sailing on calm waters. At the 1:40 mark, a joyous burst of Latin music celebrates the arrival to the port of San Juan.

A down-tempo, bluesy, Thelonious Monk-inspired, three-voice jazz fugue for solo piano/keyboard.

A string orchestra performs a melancholic portrait of Shakespeare's Ophelia.

An eclectic mixture of Middle Eastern music, Latin music, Jazz, Ambient music, and the spoken word poetry of Emily Dickinson. The lyrics are in the public domain and are as follows: I took my Power in my Hand And went against the World. 'Twas not so much as David had...

A bluesy, medium-tempo, polyphonic jazz prelude for solo piano/keyboard.

An aggressive, one-minute "descarga Cubana" (Cuban jam), featuring acoustic guitar, acoustic bass, percussion, piano, and—in place of the Cuban tres—a mandolin.

A somber, melancholic four-voice fugue, tempo Adagio, for solo piano/keyboard.

An eclectic jazz track, beginning with a tenor sax and acoustic bass duet. Eventually the rest of the rhythm section enters, followed by a female vocal part that sings a brief public domain poem by Emily Dickinson. Lyrics: "It's such a little thing to weep, So short a thing to...

A cinematic dark jazz track featuring tenor sax, acoustic bass, acoustic guitar, drums, and, later, alto sax.

A somber song for guitars, synths and female vocal. Lyrics are from a poem by Emily Dickinson and are in the Public Domain. Lyrics: To pile like Thunder to its close Then crumble grand away While Everything created hid This would be Poetry Or Love the two coeval come We...