- Lisenssi CC BY 4.0
- ISRC-numero DELJ81951115
- Julkaistu 17.09.2019
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Musiikkityylit
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Aiheet
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Tunnelmat
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Tunnisteet
KÄSITYÖNÄ
Farting Around (feat. Kevin MacLeod)
17.09.2019
Oikukas elektroninen kappale, jossa on vetävä rytmi, koomisia syntetisaattoriefektejä, selkeitä äänitehosteita ja puheintro. Ihanteellinen komediaan, sarjakuviin ja huomiota herättävään uutuussisältöön.
00:00 / 03:19
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Laden...
- 00:02 : Deadpan male spoken word intro begins, setting an unexpectedly serious tone.
- 00:04 : First prominent 'fart' sound effect used as punctuation.
- 00:16 : Another distinct comedic sound effect punctuates the vocal.
- 00:30 : Beat intensifies slightly, more SFX integrated rhythmically.
- 00:46 : Transition section with atmospheric pad and vocal sample ('Oh yeah').
- 01:03 : Main quirky synth/SFX lead motif enters over the beat.
- 01:19 : Brief breakdown with vocal sample and prominent SFX.
- 01:26 : Full beat and main motif return after breakdown.
- 02:03 : Synth lead motif returns, driving the track forward.
- 02:41 : Beat and synth layers build intensity for the final section.
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From a production music perspective, "Farting Around" presents a fascinating case study in highly specialized, character-driven cues. The track immediately establishes a distinct personality, blending a driving, somewhat insistent electronic beat with deliberately provocative and humorous sound design. The initial spoken word vocal, delivered with a certain deadpan seriousness, creates an effective comedic juxtaposition against the ensuing sonic absurdity, primarily the prominent and varied flatulence sound effects woven directly into the rhythm and texture.
The production itself is clean and punchy within its intended scope. The core elements – the kick, snare/clap, and pulsing bassline – provide a solid, functional rhythmic foundation common in straightforward electronic or dance-adjacent tracks. It’s functional, maintaining energy and momentum throughout. What elevates it (or rather, defines it) are the layers of novelty synths and, of course, the titular sound effects. These aren't just sprinkled in; they often function as lead melodic fragments or rhythmic punctuation, demonstrating a commitment to the central comedic concept.
Where does this track find its place in media? Its usability is undoubtedly niche, but potentially very strong within that niche. It’s tailor-made for comedic content: think YouTube sketches, irreverent animations, reality TV moments highlighting absurdity, or even quirky, attention-grabbing short-form advertising for brands embracing humor and disruption. The relentless beat could underpin fast-paced comedic montages or sequences depicting chaotic fun. In video games, it could work effectively in mini-games, comedic character themes, or menus for intentionally silly or offbeat titles. The sheer unexpectedness and bluntness of the core sound effect make it instantly memorable and attention-grabbing, which can be a significant asset in a crowded media landscape.
While its overt nature limits its application in serious drama, corporate settings, or projects requiring subtlety, its strength lies in its unapologetic embrace of the absurd. The structure is relatively simple and repetitive, which aids in looping or editing for background use in longer comedic scenes. Specific moments, like the build-up around 0:46 leading into the main synth/SFX motif, offer dynamic shifts that editors can leverage. The later sections (e.g., around 2:03) reintroduce the core motifs with slight variations, maintaining engagement within its established framework. It's a track that understands its purpose – to be humorous, slightly shocking, and rhythmically engaging – and executes it with technical competence. For creatives seeking something deliberately unconventional and funny, this track delivers a unique and functional sonic identity.
The production itself is clean and punchy within its intended scope. The core elements – the kick, snare/clap, and pulsing bassline – provide a solid, functional rhythmic foundation common in straightforward electronic or dance-adjacent tracks. It’s functional, maintaining energy and momentum throughout. What elevates it (or rather, defines it) are the layers of novelty synths and, of course, the titular sound effects. These aren't just sprinkled in; they often function as lead melodic fragments or rhythmic punctuation, demonstrating a commitment to the central comedic concept.
Where does this track find its place in media? Its usability is undoubtedly niche, but potentially very strong within that niche. It’s tailor-made for comedic content: think YouTube sketches, irreverent animations, reality TV moments highlighting absurdity, or even quirky, attention-grabbing short-form advertising for brands embracing humor and disruption. The relentless beat could underpin fast-paced comedic montages or sequences depicting chaotic fun. In video games, it could work effectively in mini-games, comedic character themes, or menus for intentionally silly or offbeat titles. The sheer unexpectedness and bluntness of the core sound effect make it instantly memorable and attention-grabbing, which can be a significant asset in a crowded media landscape.
While its overt nature limits its application in serious drama, corporate settings, or projects requiring subtlety, its strength lies in its unapologetic embrace of the absurd. The structure is relatively simple and repetitive, which aids in looping or editing for background use in longer comedic scenes. Specific moments, like the build-up around 0:46 leading into the main synth/SFX motif, offer dynamic shifts that editors can leverage. The later sections (e.g., around 2:03) reintroduce the core motifs with slight variations, maintaining engagement within its established framework. It's a track that understands its purpose – to be humorous, slightly shocking, and rhythmically engaging – and executes it with technical competence. For creatives seeking something deliberately unconventional and funny, this track delivers a unique and functional sonic identity.
