FAIT MAIN
Waiting For The End Of The Quarantine
26.04.2020
Morceau instrumental atmosphérique et contemplatif mettant en vedette une mélodie unique de cordes pincées, soutenue par de subtiles textures électroniques. Évoque un sentiment d'introspection et de drame discret, idéal pour les documentaires, les scènes de réflexion ou les récits sobres.
00:00 / 03:13
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Laden...
- 00:08 : Opening section establishes the core melancholic plucked string melody and atmospheric pads.
- 00:43 : Subtle percussive elements enter, adding a gentle rhythmic pulse and forward motion.
- 01:04 : Increased rhythmic drive with more prominent percussion and subtle bass frequencies creating a build.
- 01:30 : Breakdown section returns to a sparser texture with focus on the plucked strings and pads, creating dynamic contrast.
- 02:00 : Re-introduction of percussion and gradual build-up towards the track's climax.
- 02:46 : Final section with a slightly more intense rhythmic feel, before fading out.
13.1k
447
8
instrumental
moderate
Arti’s Hit or Miss: Review
This instrumental track immediately establishes a distinct atmosphere. The plucked string instrument, reminiscent of a dulcimer or perhaps a kora, is the centerpiece, offering a unique timbral quality that sets it apart. The melody is thoughtfully constructed, carrying a melancholic yet intriguing character, perfect for scenes needing a touch of understated drama.
The arrangement is well-paced, starting with a sparse and spacious feel, gradually introducing subtle electronic textures and understated percussion to add depth and gentle momentum. The production is clean, allowing the nuances of the instruments to breathe, though perhaps a touch more width in the stereo field during the build-up sections could enhance the immersive quality.
Emotionally, it leans towards introspection and quiet contemplation, making it well-suited for documentaries, particularly those exploring nature, personal stories, or mystery. It could also find a home in podcasts needing a sophisticated and slightly mysterious underscore, or even in indie games with narrative focus. For advertising, it might work for brands aiming for a thoughtful and refined image, though it might need a touch more dynamism to really grab attention in shorter formats.
Compared to industry standard library music, the track holds its own in terms of originality and atmosphere. To elevate it further, consider exploring subtle variations in the plucked string performance to add more organic movement, and perhaps experiment with adding a touch of reverb or delay to the percussion elements to create a slightly more cinematic space. Overall, this is a solid and usable piece with a clear identity and good potential for various media applications. With a few minor tweaks in the mix and arrangement, it could easily compete with higher-tier production music.
The arrangement is well-paced, starting with a sparse and spacious feel, gradually introducing subtle electronic textures and understated percussion to add depth and gentle momentum. The production is clean, allowing the nuances of the instruments to breathe, though perhaps a touch more width in the stereo field during the build-up sections could enhance the immersive quality.
Emotionally, it leans towards introspection and quiet contemplation, making it well-suited for documentaries, particularly those exploring nature, personal stories, or mystery. It could also find a home in podcasts needing a sophisticated and slightly mysterious underscore, or even in indie games with narrative focus. For advertising, it might work for brands aiming for a thoughtful and refined image, though it might need a touch more dynamism to really grab attention in shorter formats.
Compared to industry standard library music, the track holds its own in terms of originality and atmosphere. To elevate it further, consider exploring subtle variations in the plucked string performance to add more organic movement, and perhaps experiment with adding a touch of reverb or delay to the percussion elements to create a slightly more cinematic space. Overall, this is a solid and usable piece with a clear identity and good potential for various media applications. With a few minor tweaks in the mix and arrangement, it could easily compete with higher-tier production music.
Additional Information
After a long period of musical absence I had a creative musical surplus and sat down for about 1 hour. The result is an improvised, absolutely handmade freestyle piece with a strong jazz element. I'm surprised how good a piece can sound that consists only of bass, piano, guitar and ceramic ashikos.
