手作り
I Feel It
14.11.2016
脈打つシンセベース、雰囲気のあるパッド、そして中毒性のある四つ打ちビートが特徴のエレクトロニックトラック。加工された男性ボーカルのフック、高まるエネルギー、フィルタースイープが、テック、企業、ファッション、エネルギッシュなメディアに最適。
00:00 / 05:31
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Laden...
- 00:08 : Atmospheric synth pads and filtered effects establish a modern, evolving intro.
- 00:31 : Driving four-on-the-floor beat and pulsating synth bass enter, establishing the core energy.
- 01:01 : Processed male vocal hook "I feel it" enters, adding a catchy, memorable element.
- 01:14 : Synth layers build, including arpeggiated lines, increasing complexity and drive.
- 02:41 : Main synth lead melody introduced alongside the vocal hook, creating a 'chorus' feel.
- 03:04 : Effective build-up section using risers and rhythmic tension.
- 03:14 : Peak energy drop – full layers return with maximum drive and impact.
- 04:49 : Final breakdown/build section, using filters to create dynamic shift before the outro.
5.8k
271
4
male
Fast
Right off the bat, "I Feel It" presents itself as a highly polished and immediately usable piece of production music. From a producer’s standpoint, this track nails the balance between atmospheric depth and driving energy, making it incredibly versatile for a wide range of media applications. The track opens with evolving synth pads and filtered textures, creating an engaging, modern soundscape – perfect for setting a scene, whether it's a sleek corporate intro, a tech product reveal, or establishing shots in a contemporary drama or lifestyle vlog.
The introduction of the solid four-on-the-floor beat around the 30-second mark instantly injects momentum. The bassline is tight, pulsating, and provides a strong rhythmic foundation without overpowering the mix – a key quality for background usability. The layering of synth elements is expertly handled; arpeggiated sequences and brighter lead lines weave in and out, adding interest and maintaining forward motion. These elements could beautifully underscore fast-paced montages, drone shots sweeping over cityscapes, or energetic sequences in sports or event coverage.
The introduction of the processed male vocal hook, "I feel it," is a smart move. It's catchy, memorable, and adds a human touch without being lyrically specific, ensuring broad applicability. This makes it particularly strong for advertising – it evokes positivity and sensation without dictating a narrative. The vocal processing keeps it feeling contemporary and integrated within the electronic texture, rather than like a traditional lead vocal.
Structurally, the track demonstrates a keen understanding of media needs. It builds effectively, introduces variations, and features well-placed moments of reduced intensity that allow for dynamic shifts in visuals or voiceover integration. The build-ups leading into the main energetic sections (like around 3:14) are well-executed with classic riser effects and drum fills, delivering satisfying payoffs that would work brilliantly for transitions or reveals.
The production quality is professional throughout. The mix is clean, with good separation between elements. The low end is punchy but controlled, the synths have clarity and width, and the drums cut through effectively. The stereo imaging is well-utilized, creating an immersive feel. Mastering sounds solid, providing competitive loudness and polish suitable for broadcast, streaming, and live events.
In terms of usability, this track is a workhorse. It screams modern, positive, and forward-thinking. It's tailor-made for technology brands, corporate presentations needing an injection of energy, fashion runways, dynamic advertising spots (especially automotive or lifestyle), YouTube content requiring an engaging background, podcast intros/outros, and even certain video game menus or driving sequences. Its consistent tempo and driving rhythm also lend themselves well to fitness content or event walkthroughs. The overall vibe is sophisticated yet accessible, hitting a sweet spot for widespread commercial appeal. It delivers a feeling of optimism, progress, and excitement, making it a valuable asset for any production library.
The introduction of the solid four-on-the-floor beat around the 30-second mark instantly injects momentum. The bassline is tight, pulsating, and provides a strong rhythmic foundation without overpowering the mix – a key quality for background usability. The layering of synth elements is expertly handled; arpeggiated sequences and brighter lead lines weave in and out, adding interest and maintaining forward motion. These elements could beautifully underscore fast-paced montages, drone shots sweeping over cityscapes, or energetic sequences in sports or event coverage.
The introduction of the processed male vocal hook, "I feel it," is a smart move. It's catchy, memorable, and adds a human touch without being lyrically specific, ensuring broad applicability. This makes it particularly strong for advertising – it evokes positivity and sensation without dictating a narrative. The vocal processing keeps it feeling contemporary and integrated within the electronic texture, rather than like a traditional lead vocal.
Structurally, the track demonstrates a keen understanding of media needs. It builds effectively, introduces variations, and features well-placed moments of reduced intensity that allow for dynamic shifts in visuals or voiceover integration. The build-ups leading into the main energetic sections (like around 3:14) are well-executed with classic riser effects and drum fills, delivering satisfying payoffs that would work brilliantly for transitions or reveals.
The production quality is professional throughout. The mix is clean, with good separation between elements. The low end is punchy but controlled, the synths have clarity and width, and the drums cut through effectively. The stereo imaging is well-utilized, creating an immersive feel. Mastering sounds solid, providing competitive loudness and polish suitable for broadcast, streaming, and live events.
In terms of usability, this track is a workhorse. It screams modern, positive, and forward-thinking. It's tailor-made for technology brands, corporate presentations needing an injection of energy, fashion runways, dynamic advertising spots (especially automotive or lifestyle), YouTube content requiring an engaging background, podcast intros/outros, and even certain video game menus or driving sequences. Its consistent tempo and driving rhythm also lend themselves well to fitness content or event walkthroughs. The overall vibe is sophisticated yet accessible, hitting a sweet spot for widespread commercial appeal. It delivers a feeling of optimism, progress, and excitement, making it a valuable asset for any production library.
