I have programmed a new AI and am currently working on modernizing and restructuring genres, topics, moods and tags. BPM will be replaced by “perceived speed”. Keys will be removed. The keyword search will also soon be extended to tags. There will also be an A.I. “Review” and a quality rating for each song. All music will soon be re-categorized. When I'm done with that, there will be new music again :)
Cinema Blockbuster Trailer 16
04.09.2024
A high-impact cinematic track that builds tension with powerful percussion, dark synths, and dramatic sound design. Perfect for blockbuster trailers, action sequences, and video game soundtracks.
00:00 / 02:12
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Laden...
1k
53
5
instrumental
moderate
Arti’s Hit or Miss: Review
"Cinema Blockbuster Trailer 16" – now *there's* a title that doesn't mess around, right? It's like the music equivalent of a movie poster with explosions and a lens flare. And you know what? It pretty much delivers on that promise. From the get-go, this track throws you into the deep end with those signature 'braaam' sounds – you know, the ones that make your chest vibrate in the cinema.
Seriously, the low-end on this thing is *beastly*. It's like they recorded a T-Rex doing parkour. You've got those massive percussion hits that sound like Thor's hammer meeting a stack of oil drums, and they're layered with these gritty, distorted synths that could curdle milk. Not that you'd *want* to curdle milk with it, unless you're making some sort of avant-garde horror film about dairy products gone bad. But I digress.
This track is all about building tension. It's that slow burn, that 'something wicked this way comes' feeling. You could practically see the hero walking through a dimly lit alleyway, rain glistening on the pavement, as this music plays. And you just *know* something's about to jump out. It's perfect for those moments in a trailer where you're teasing the big reveal, that 'holy moly' moment that makes people line up on opening night.
But it's not just about the big, bombastic stuff. There are these subtle, pulsing synths that weave in and out, creating this undercurrent of unease. It's like the soundtrack to a digital anxiety attack. And then you get these little ear candy moments—risers, whooshes, little percussive flourishes—that keep things interesting. It's the sonic equivalent of a well-placed jump scare, but without the cheap thrill.
Where could you use this? Obviously, trailers are the low-hanging fruit. But think broader! Action video games, definitely. Any scene where the stakes are high and the adrenaline is pumping. You could even use it in a high-octane sports montage – imagine slow-motion shots of athletes pushing their limits, all set to this intense, heart-pounding score. Or maybe a commercial for some extreme energy drink, where people are base jumping off skyscrapers and wrestling alligators. You know, the usual.
Is it subtle? Heck no. But that's not the point. This track isn't trying to be subtle. It's trying to grab you by the throat and make your heart race. And in that, it succeeds spectacularly. It’s the musical equivalent of a double espresso shot straight to the veins. So, if you need a track that's going to make your audience sit up and pay attention, this one's a winner, winner, chicken dinner. Just be prepared to pick up the pieces of your speakers afterward.
Seriously, the low-end on this thing is *beastly*. It's like they recorded a T-Rex doing parkour. You've got those massive percussion hits that sound like Thor's hammer meeting a stack of oil drums, and they're layered with these gritty, distorted synths that could curdle milk. Not that you'd *want* to curdle milk with it, unless you're making some sort of avant-garde horror film about dairy products gone bad. But I digress.
This track is all about building tension. It's that slow burn, that 'something wicked this way comes' feeling. You could practically see the hero walking through a dimly lit alleyway, rain glistening on the pavement, as this music plays. And you just *know* something's about to jump out. It's perfect for those moments in a trailer where you're teasing the big reveal, that 'holy moly' moment that makes people line up on opening night.
But it's not just about the big, bombastic stuff. There are these subtle, pulsing synths that weave in and out, creating this undercurrent of unease. It's like the soundtrack to a digital anxiety attack. And then you get these little ear candy moments—risers, whooshes, little percussive flourishes—that keep things interesting. It's the sonic equivalent of a well-placed jump scare, but without the cheap thrill.
Where could you use this? Obviously, trailers are the low-hanging fruit. But think broader! Action video games, definitely. Any scene where the stakes are high and the adrenaline is pumping. You could even use it in a high-octane sports montage – imagine slow-motion shots of athletes pushing their limits, all set to this intense, heart-pounding score. Or maybe a commercial for some extreme energy drink, where people are base jumping off skyscrapers and wrestling alligators. You know, the usual.
Is it subtle? Heck no. But that's not the point. This track isn't trying to be subtle. It's trying to grab you by the throat and make your heart race. And in that, it succeeds spectacularly. It’s the musical equivalent of a double espresso shot straight to the veins. So, if you need a track that's going to make your audience sit up and pay attention, this one's a winner, winner, chicken dinner. Just be prepared to pick up the pieces of your speakers afterward.
