I have programmed a new AI and am currently working on modernizing and restructuring genres, topics, moods and tags. BPM will be replaced by “perceived speed”. Keys will be removed. The keyword search will also soon be extended to tags. There will also be an A.I. “Review” and a quality rating for each song. All music will soon be re-categorized. When I'm done with that, there will be new music again :)
Cinema Blockbuster Trailer 19
05.09.2024
This track builds tension with a pulsing, electronic beat, punctuated by dramatic orchestral hits. Perfect for high-stakes action sequences, suspenseful trailers, or video game soundtracks that need a sense of impending doom.
00:00 / 02:12
Кликните здесь
Laden...
1.8k
133
6
instrumental
moderate
Arti’s Hit or Miss: Review
Alright, buckle up buttercups, because "Cinema Blockbuster Trailer 19" is a wild ride, and it starts from the very first ominous thud. Here’s the thing: It wastes no time. The intro hits you with this percussive wallop that says, "Something big is coming, and you better be ready."
It’s like that feeling when you're watching a movie, and you know the calm before the storm is about to end... BAM! The track throws in these huge, cinematic impacts and metallic scrapes that kind of make the hair on your neck stand up. You know what? I appreciate that it doesn’t mess around with long, drawn-out intros. It's got places to be, things to explode, that kind of deal.
Now, let’s talk about usability, because that’s where the rubber meets the road, right? This is tailor-made for trailers—film trailers, game trailers, maybe even a super-intense promo for a new line of power tools. Honestly, I can see this behind some epic battle scene, a car chase, or maybe even the reveal of a supervillain. It’s got that 'grand scale' vibe. The pulsing synths keep the tension high, while the orchestral hits provide the drama. It’s got that hybrid feel, which is perfect for modern media, blends well.
But, like, let's get into the construction of the track. You have this underlying electronic pulse that serves as a backbone, providing a relentless drive. Then, you've got the heavy impacts, and honestly, they sound processed and layered. A lot of clever sound design is at work here, but it doesn’t sound excessive. This ain't no kitchen sink situation, all very deliberate.
However, and this is just a smidge of constructive criticism—I wouldn’t have minded a touch more variation in the mid-section. It maintains the intensity, which is great, but a slight shift in the arrangement, maybe a brief breakdown, could have added a little more dynamic contrast, just to keep the listener engaged at the absolute max level.
What about the emotional impact? Let’s get to the point. It's tense, suspenseful, with a bit of a “dark” undertone. It makes you want to peek through your fingers, like a good horror movie. It is not the kind of music that you are putting on to relax and unwind. But it’s a lot of fun. It's dramatic and effective, and it makes you feel like something important is happening. For a track that probably aims to be used in high-octane sequences, it nails that feeling.
So, would I recommend it for library use? You bet. It's well-produced, very effective, and sits squarely in that “hybrid orchestral” category that's so popular in media right now. It’s got that modern edge that many composers want in a track, and the punch to cut through visuals. It isn’t breaking massive new ground, musically, but it executes its purpose very, very well. It’s a solid piece of work that knows exactly what it is and delivers on that promise.
It’s like that feeling when you're watching a movie, and you know the calm before the storm is about to end... BAM! The track throws in these huge, cinematic impacts and metallic scrapes that kind of make the hair on your neck stand up. You know what? I appreciate that it doesn’t mess around with long, drawn-out intros. It's got places to be, things to explode, that kind of deal.
Now, let’s talk about usability, because that’s where the rubber meets the road, right? This is tailor-made for trailers—film trailers, game trailers, maybe even a super-intense promo for a new line of power tools. Honestly, I can see this behind some epic battle scene, a car chase, or maybe even the reveal of a supervillain. It’s got that 'grand scale' vibe. The pulsing synths keep the tension high, while the orchestral hits provide the drama. It’s got that hybrid feel, which is perfect for modern media, blends well.
But, like, let's get into the construction of the track. You have this underlying electronic pulse that serves as a backbone, providing a relentless drive. Then, you've got the heavy impacts, and honestly, they sound processed and layered. A lot of clever sound design is at work here, but it doesn’t sound excessive. This ain't no kitchen sink situation, all very deliberate.
However, and this is just a smidge of constructive criticism—I wouldn’t have minded a touch more variation in the mid-section. It maintains the intensity, which is great, but a slight shift in the arrangement, maybe a brief breakdown, could have added a little more dynamic contrast, just to keep the listener engaged at the absolute max level.
What about the emotional impact? Let’s get to the point. It's tense, suspenseful, with a bit of a “dark” undertone. It makes you want to peek through your fingers, like a good horror movie. It is not the kind of music that you are putting on to relax and unwind. But it’s a lot of fun. It's dramatic and effective, and it makes you feel like something important is happening. For a track that probably aims to be used in high-octane sequences, it nails that feeling.
So, would I recommend it for library use? You bet. It's well-produced, very effective, and sits squarely in that “hybrid orchestral” category that's so popular in media right now. It’s got that modern edge that many composers want in a track, and the punch to cut through visuals. It isn’t breaking massive new ground, musically, but it executes its purpose very, very well. It’s a solid piece of work that knows exactly what it is and delivers on that promise.
