The most boring elevator music ever by Sascha Ende

Нежная и сдержанная фортепианная композиция создает успокаивающую и ненавязчивую атмосферу. Её мягкая мелодия и спокойный настрой делают её идеальной для тихого фонового сопровождения, способствуя расслаблению и чувству комфорта.

I have programmed a new AI and am currently working on modernizing and restructuring genres, topics, moods and tags. BPM will be replaced by “perceived speed”. Keys will be removed. The keyword search will also soon be extended to tags. There will also be an A.I. “Review” and a quality rating for each song. All music will soon be re-categorized. When I'm done with that, there will be new music again :)
The most boring elevator music ever
Нежная и сдержанная фортепианная композиция создает успокаивающую и ненавязчивую атмосферу. Её мягкая мелодия и спокойный настрой делают её идеальной для тихого фонового сопровождения, способствуя расслаблению и чувству комфорта.
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Laden...
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1
instrumental
Very slow

Arti’s Hit or Miss: Review

"The most boring elevator music ever" is an interesting study in sonic minimalism. As a producer, I immediately recognize its intended function: to create a subtly pleasant atmosphere without drawing attention to itself. The piano melody is simple and repetitive, almost to a fault, but that's likely the point. The composition avoids any dramatic shifts or dynamic changes, maintaining a consistent, low-key vibe throughout.

From a production standpoint, the piano sound is clean and well-recorded, with a touch of reverb that adds a sense of space without being overwhelming. The mix is very balanced, with no frequencies jumping out. The mastering is geared toward a low overall volume, perfect for its intended use case. The emotional impact is, as the title suggests, quite neutral – it evokes neither joy nor sadness, simply a calm, peaceful state. This is a song that does its job. While this will never be the song the user puts on his headphones, for many situations this exactly what is needed.

One could argue that the track could benefit from some very subtle additional instrumentation, perhaps some light strings or pads, to add a touch of warmth and depth. However, this would also risk making it too 'interesting' for its purpose. It is designed for elevators, lobbies, and perhaps as background music for corporate videos or presentations where the music should be felt rather than actively listened to. It successfully fulfills the 'elevator music' brief. Adding anything further to it might risk making it too noticeable, and that goes against the original purpose of the track, which is successful at its core purpose. As it is it works.
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