I have programmed a new AI and am currently working on modernizing and restructuring genres, topics, moods and tags. BPM will be replaced by “perceived speed”. Keys will be removed. The keyword search will also soon be extended to tags. There will also be an A.I. “Review” and a quality rating for each song. All music will soon be re-categorized. When I'm done with that, there will be new music again :)
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Merry Christmas (with greetings)
10.12.2017
A whimsical and slightly offbeat orchestral piece, featuring bells, pizzicato strings, and playful woodwinds, punctuated by occasional "ho ho ho" vocal samples and ending with a spoken "Merry Christmas."
00:00 / 01:41
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Laden...
760
62
2
choir, male
Slow
Arti’s Hit or Miss: Review
Okay, let's dive into "Merry Christmas (with greetings)." Right off the bat, it has this playful, almost mischievous vibe, like a quirky take on a classic Christmas carol. The use of pizzicato strings and bells creates a light, bouncy feel, and those "ho ho ho" samples add a comedic touch. It's definitely unique, and I appreciate that it's not trying to be a straight-up, traditional holiday track. It's almost like the soundtrack of an elf's workshop scene.
The arrangement itself is fairly simple, which isn't necessarily a bad thing for production music. The melody is easy to follow, and the different sections flow together nicely. I like the use of dynamics, too – it's not just one flat level throughout. The woodwinds add a nice touch of warmth and whimsy. I would maybe bring them out to the front a bit more, as well as the pizzicato. They could be louder.
From a production standpoint, it's decent, but there's room for improvement to reach a higher level. The mix feels a little muddy in places, and some of the instruments could use a bit more definition and presence. The low end could be tightened up, and the overall track could benefit from some subtle EQ and compression to give it more punch and clarity. It has a slight lo-fi quality. It sounds like it was recorded with real orchestra players, but mixed/produced with MIDI instruments, creating an unbalanced soundscape.
Emotionally, it evokes a sense of lighthearted fun and holiday cheer, but with a slightly off-kilter twist. I could see this working well in a quirky Christmas-themed commercial, a children's animation, or maybe even a video game with a comedic element. It could fit a family movie. The spoken "Merry Christmas" at the end is a nice touch, although it might limit its usability in some contexts. However, it has very limited applications.
Compared to industry-standard holiday tracks, it's not quite at the top tier in terms of polish and production value. However, its unique character and quirky charm give it a certain appeal. With a bit more refinement in the mix and mastering, it could definitely be a useful addition to a production music library, particularly for projects seeking something a little different from the usual Christmas fare. The track has a unique flavor.
Overall, it's a fun, quirky track with a distinct personality. It's not perfect, but its imperfections are part of its charm. With some strategic mixing and mastering choices, it could be even better.
The arrangement itself is fairly simple, which isn't necessarily a bad thing for production music. The melody is easy to follow, and the different sections flow together nicely. I like the use of dynamics, too – it's not just one flat level throughout. The woodwinds add a nice touch of warmth and whimsy. I would maybe bring them out to the front a bit more, as well as the pizzicato. They could be louder.
From a production standpoint, it's decent, but there's room for improvement to reach a higher level. The mix feels a little muddy in places, and some of the instruments could use a bit more definition and presence. The low end could be tightened up, and the overall track could benefit from some subtle EQ and compression to give it more punch and clarity. It has a slight lo-fi quality. It sounds like it was recorded with real orchestra players, but mixed/produced with MIDI instruments, creating an unbalanced soundscape.
Emotionally, it evokes a sense of lighthearted fun and holiday cheer, but with a slightly off-kilter twist. I could see this working well in a quirky Christmas-themed commercial, a children's animation, or maybe even a video game with a comedic element. It could fit a family movie. The spoken "Merry Christmas" at the end is a nice touch, although it might limit its usability in some contexts. However, it has very limited applications.
Compared to industry-standard holiday tracks, it's not quite at the top tier in terms of polish and production value. However, its unique character and quirky charm give it a certain appeal. With a bit more refinement in the mix and mastering, it could definitely be a useful addition to a production music library, particularly for projects seeking something a little different from the usual Christmas fare. The track has a unique flavor.
Overall, it's a fun, quirky track with a distinct personality. It's not perfect, but its imperfections are part of its charm. With some strategic mixing and mastering choices, it could be even better.
