HANDCRAFTED
Fish In The Sea (feat. Admiral Bob)
30.08.2019
Engaging mid-tempo track featuring clear male vocals, a steady rhythmic pulse, and subtle coastal undertones. A blend of pop sensibility and singer-songwriter narrative, perfect for storytelling, travel content, or positive corporate messaging with an underlying reflective theme.
00:00 / 04:03
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- 00:00 : Intro sets the groove with a clean percussion loop and bass entry.
- 00:10 : Male vocal entry ('Admiral Bob') - establishes the narrative style and clear tone.
- 00:40 : First chorus - memorable hook and optimistic theme established.
- 01:00 : Short instrumental break highlighting the bassline and percussion groove.
- 01:10 : Second verse begins, continuing the narrative feel.
- 02:10 : Bridge section introduces a slight shift in feel and lyrical perspective.
- 02:41 : Lyrical shift in chorus ("When there are no more fish") introduces a more reflective/environmental theme.
- 02:51 : Mention of "plastic floating" further emphasizes the thematic shift.
- 03:31 : Final choruses/outro vamp, reinforcing the main hook while maintaining the established groove.
13.4k
445
6
male
moderate
**Track Overview: "Fish In The Sea (feat. Admiral Bob)"**
Alright, let's dive into this track, "Fish In The Sea." From a production music standpoint, this piece offers a compelling blend of accessibility and character, making it a highly versatile asset for a range of media projects. The immediate impression is one of warmth and gentle propulsion, driven by a tight, clean percussion loop and a foundational, yet melodic, electric bassline. It feels instantly familiar, like a coastal drive or a reflective moment by the water, but avoids sounding generic.
The production quality here is solid – professional, well-mixed, and mastered with clarity. Each element sits nicely in the mix, allowing the arrangement room to breathe. The core instrumentation – that steady percussion, the supportive bass, subtle keyboard pads adding harmonic texture, and potentially some very light, clean guitar work – creates a cohesive and inviting sound bed.
The standout feature is undoubtedly the male vocal performance by Admiral Bob. His delivery is clear, confident, and carries a narrative quality that draws the listener in without being overly demanding. It’s positioned perfectly in the mix – present enough to tell the story, but balanced so the track could function effectively as an underscore if needed, perhaps using instrumental stems. The vocal adds significant personality and transforms the track from a simple groove into a story.
Emotionally, the track navigates an interesting path. It starts with an optimistic, almost carefree, observational tone, perfectly suited for travel vlogs showcasing sunny beaches, lifestyle content emphasizing freedom and nature, or even corporate pieces highlighting sustainability or forward momentum. The recurring chorus, "There are always more fish," initially feels like a statement of abundance and opportunity.
However, the song subtly evolves. Later verses and the lyrical shifts in the chorus introduce a more reflective, slightly cautionary undertone ("When there are no more fish... just the plastic floating"). This duality is a major strength for sync. It means the track can underscore both positive, aspirational scenes *and* moments that require a touch of environmental consciousness or thoughtful commentary. Imagine this playing over drone shots of a beautiful coastline, then subtly shifting focus to washed-up debris – the music supports both aspects without jarring tonal shifts.
**Usability Across Media:**
* **Advertising:** Excellent for brands associated with nature, travel, sustainability, or even just a positive, grounded lifestyle. The optimistic start works well for product reveals or aspirational messaging, while the later sections could add depth to PSAs or campaigns with an environmental angle.
* **Film & TV:** Ideal for documentaries (oceanic, environmental, travel), montages showing passage of time or journeys, character reflection scenes, or even end credits needing an uplifting yet thoughtful feel. Its narrative vocal lends itself well to scenes where internal monologue or voiceover might be present.
* **Corporate & Web:** A great fit for corporate videos, explainers, website backgrounds, or presentations needing a professional, engaging, and positive sound without being saccharine. The clean production ensures it won't distract from key messaging.
* **Podcasts & YouTube:** Works beautifully as intro/outro music or background for segments related to travel, nature, storytelling, or environmental topics. The clear vocal is engaging, but instrumental versions would also be highly effective here.
* **Events:** Could soundtrack aspects of corporate retreats, travel expos, or even relaxed portions of festivals or outdoor events, particularly those with a coastal or environmental theme.
In summary, "Fish In The Sea" is a well-crafted piece of production music. Its blend of a catchy, propulsive rhythm section, clear narrative vocals, and professional production makes it highly licensable. The subtle emotional arc from optimism to reflection adds significant depth and expands its potential applications, making it a valuable addition to any library looking for contemporary, usable tracks with character.
Alright, let's dive into this track, "Fish In The Sea." From a production music standpoint, this piece offers a compelling blend of accessibility and character, making it a highly versatile asset for a range of media projects. The immediate impression is one of warmth and gentle propulsion, driven by a tight, clean percussion loop and a foundational, yet melodic, electric bassline. It feels instantly familiar, like a coastal drive or a reflective moment by the water, but avoids sounding generic.
The production quality here is solid – professional, well-mixed, and mastered with clarity. Each element sits nicely in the mix, allowing the arrangement room to breathe. The core instrumentation – that steady percussion, the supportive bass, subtle keyboard pads adding harmonic texture, and potentially some very light, clean guitar work – creates a cohesive and inviting sound bed.
The standout feature is undoubtedly the male vocal performance by Admiral Bob. His delivery is clear, confident, and carries a narrative quality that draws the listener in without being overly demanding. It’s positioned perfectly in the mix – present enough to tell the story, but balanced so the track could function effectively as an underscore if needed, perhaps using instrumental stems. The vocal adds significant personality and transforms the track from a simple groove into a story.
Emotionally, the track navigates an interesting path. It starts with an optimistic, almost carefree, observational tone, perfectly suited for travel vlogs showcasing sunny beaches, lifestyle content emphasizing freedom and nature, or even corporate pieces highlighting sustainability or forward momentum. The recurring chorus, "There are always more fish," initially feels like a statement of abundance and opportunity.
However, the song subtly evolves. Later verses and the lyrical shifts in the chorus introduce a more reflective, slightly cautionary undertone ("When there are no more fish... just the plastic floating"). This duality is a major strength for sync. It means the track can underscore both positive, aspirational scenes *and* moments that require a touch of environmental consciousness or thoughtful commentary. Imagine this playing over drone shots of a beautiful coastline, then subtly shifting focus to washed-up debris – the music supports both aspects without jarring tonal shifts.
**Usability Across Media:**
* **Advertising:** Excellent for brands associated with nature, travel, sustainability, or even just a positive, grounded lifestyle. The optimistic start works well for product reveals or aspirational messaging, while the later sections could add depth to PSAs or campaigns with an environmental angle.
* **Film & TV:** Ideal for documentaries (oceanic, environmental, travel), montages showing passage of time or journeys, character reflection scenes, or even end credits needing an uplifting yet thoughtful feel. Its narrative vocal lends itself well to scenes where internal monologue or voiceover might be present.
* **Corporate & Web:** A great fit for corporate videos, explainers, website backgrounds, or presentations needing a professional, engaging, and positive sound without being saccharine. The clean production ensures it won't distract from key messaging.
* **Podcasts & YouTube:** Works beautifully as intro/outro music or background for segments related to travel, nature, storytelling, or environmental topics. The clear vocal is engaging, but instrumental versions would also be highly effective here.
* **Events:** Could soundtrack aspects of corporate retreats, travel expos, or even relaxed portions of festivals or outdoor events, particularly those with a coastal or environmental theme.
In summary, "Fish In The Sea" is a well-crafted piece of production music. Its blend of a catchy, propulsive rhythm section, clear narrative vocals, and professional production makes it highly licensable. The subtle emotional arc from optimism to reflection adds significant depth and expands its potential applications, making it a valuable addition to any library looking for contemporary, usable tracks with character.
