I have programmed a new AI and am currently working on modernizing and restructuring genres, topics, moods and tags. BPM will be replaced by “perceived speed”. Keys will be removed. The keyword search will also soon be extended to tags. There will also be an A.I. “Review” and a quality rating for each song. All music will soon be re-categorized. When I'm done with that, there will be new music again :)
HANDGJORD
Skyline
15.10.2012
Driving electronic track with a futuristic feel, blending pulsating synths and a steady beat. Ideal for technology showcases, urban scenes, or innovative product commercials.
00:00 / 03:28
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3k
140
2
instrumental
moderate
Arti’s Hit or Miss: Review
"Skyline" immediately establishes a driving, forward-moving energy. The interplay between the pulsating synths and the steady, almost hypnotic beat creates a sense of technological progress and urban exploration. There's a polished quality to the sound design, making it feel quite contemporary and fitting for a range of modern media applications. The arpeggiated synths that come in add a nice layer of complexity without ever feeling overwhelming.
One of the track's strengths is its consistent mood – it maintains a bright, optimistic feel throughout, perfect for conveying innovation or a sense of forward momentum. While the melodic content is relatively simple, this works to its advantage in a production music context, making it easy to pair with visuals or voiceovers. The composition, while not groundbreaking, is effective in establishing the track's character and function. The build-ups, although not overly complex, are handled nicely, and the arrangement helps to maintain a continuous stream of exciting sensations. A little bit more variation and some extra details could add personality and originality to the track.
From a production standpoint, the track is quite clean and well-balanced. The mix has a nice width, and the individual elements sit well together. It might benefit from a touch more low-end presence to give it a bit more weight, particularly in sections where the bass is prominent. Comparing it to industry-standard tracks, "Skyline" holds its own in terms of sonic clarity and overall impact. It's perhaps not as immediately memorable as some top-tier library music, but it certainly ticks the boxes for usability and professionalism. Adding subtle ear-candy elements or a slightly more unique sonic signature could elevate it further. Overall the mastering is good, although a version with a slightly punchier dynamic range might be useful for certain applications.
Emotionally, "Skyline" delivers a consistent sense of optimism and progress. It's a versatile track that could find its place in corporate videos, technology presentations, or even as background music for a futuristic video game scene. It has a real sense of motion. I could see it being really effective for timelapse sequences or showcasing urban landscapes. I feel it has excellent sync potential in advertising and branded content. It conveys energy, but in a restrained, sophisticated way.
In short, this is a solid, well-produced piece of music that serves its purpose effectively. A little more production finesse could create a better listening experience.
One of the track's strengths is its consistent mood – it maintains a bright, optimistic feel throughout, perfect for conveying innovation or a sense of forward momentum. While the melodic content is relatively simple, this works to its advantage in a production music context, making it easy to pair with visuals or voiceovers. The composition, while not groundbreaking, is effective in establishing the track's character and function. The build-ups, although not overly complex, are handled nicely, and the arrangement helps to maintain a continuous stream of exciting sensations. A little bit more variation and some extra details could add personality and originality to the track.
From a production standpoint, the track is quite clean and well-balanced. The mix has a nice width, and the individual elements sit well together. It might benefit from a touch more low-end presence to give it a bit more weight, particularly in sections where the bass is prominent. Comparing it to industry-standard tracks, "Skyline" holds its own in terms of sonic clarity and overall impact. It's perhaps not as immediately memorable as some top-tier library music, but it certainly ticks the boxes for usability and professionalism. Adding subtle ear-candy elements or a slightly more unique sonic signature could elevate it further. Overall the mastering is good, although a version with a slightly punchier dynamic range might be useful for certain applications.
Emotionally, "Skyline" delivers a consistent sense of optimism and progress. It's a versatile track that could find its place in corporate videos, technology presentations, or even as background music for a futuristic video game scene. It has a real sense of motion. I could see it being really effective for timelapse sequences or showcasing urban landscapes. I feel it has excellent sync potential in advertising and branded content. It conveys energy, but in a restrained, sophisticated way.
In short, this is a solid, well-produced piece of music that serves its purpose effectively. A little more production finesse could create a better listening experience.
