All Above Me by Sascha Ende

"All Above Me" immediately establishes a relaxed, slightly melancholic atmosphere. The breathy male vocal gives it a human touch amidst the electronic textures, which is a nice contrast. The pulsing synth bass is well-produced—it's present without being overpowering. The overall vibe is quite dreamy, making me think of nighttime cityscapes or perhaps a reflective scene in a drama.

The composition is pretty straightforward, built around a core chord progression and that repeating vocal phrase. It works well as a foundation, and I appreciate the subtle variations in the synth pads and the occasional percussive flourishes. I feel the introduction will need to be significantly shorter to work in most media settings.

Production-wise, the track is clean and well-balanced. The mix allows each element to breathe, and the stereo imaging is effective. I like the warmth of the pads and the subtle use of reverb, which creates a nice sense of space. The drums are not too harsh; however, some of the drum sounds sound generic for this style of track.

Emotionally, the track evokes a sense of introspection and longing. It's not overtly sad, but there's a definite undercurrent of melancholy. This makes it well-suited for scenes involving reflection, quiet drama, or perhaps even a stylish, slightly futuristic commercial. With a more dynamic arrangement, it could also work in a suspenseful context.

Compared to other tracks in the 'electronic chill' space, "All Above Me" holds its own. It doesn't reinvent the wheel, but it executes its core ideas effectively. It is very usable, and I like the human element the vocals bring. Overall, "All Above Me" is a solid, well-produced track with clear potential for use in various media contexts. It's a track that evokes a specific mood without being overly intrusive, making it a versatile addition to a production music library.