HÅNDLAVET
Are you scared yet (feat. Admiral Bob)
02.02.2019
Grovkornet indie rock med drivende trommer, forvrængede guitarer og en anspændt mandlig vokal. Skaber en rå, energisk og let ildevarslende atmosfære, der er velegnet til krimidramaer, edgy reklamer eller hæsblæsende spilsekvenser.
00:00 / 03:07
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- 00:00 : Intro starts with a distinctive, slightly moody guitar lick with delay/reverb, setting a blues-rock tone.
- 00:19 : Full band enters with driving drums and bass; male vocals begin, establishing the core rock groove.
- 00:40 : Chorus section begins with the hook lyric "Are you scared yet?", intensity lifts.
- 01:00 : Brief instrumental break featuring a bluesy guitar fill.
- 01:40 : Second chorus entry, reinforcing the main theme and energy.
- 02:00 : Guitar solo section begins, showcasing more prominent lead guitar work.
- 02:21 : Bridge section - slight shift in vocal melody and lyrical content, building towards final chorus.
- 02:41 : Final chorus push, driving energy maintained towards the conclusion.
- 03:01 : Abrupt ending with a final sustained chord/hit.
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Alright, let's talk about "Are you scared yet (feat. Admiral Bob)". From a production library standpoint, this track brings a specific, potent flavour to the table. It lands squarely in the indie rock/blues-rock territory, characterized by its slightly gritty, raw energy. The core instrumentation – driving drums, a solid bassline holding down the low end, prominent distorted electric guitars, and a forthright male vocal – creates an immediate sense of forward momentum and tension.
The production feels authentic and unpolished in a deliberate way, avoiding excessive gloss which actually works in its favour for certain applications. Think indie films needing a touch of realism, gritty crime procedural underscores, or even commercials aiming for an edgier, less mainstream vibe. The mix gives adequate space to each element; the drums punch through nicely, the guitars have presence without completely overwhelming the track, and the vocals sit clearly upfront, delivering the slightly ominous, questioning theme suggested by the title.
Its strength lies in its focused mood. There's an undercurrent of unease mixed with a propulsive drive. This isn't background music designed to disappear; it has character and demands a certain amount of attention. The guitar work, featuring both rhythmic chugging and more melodic, blues-inflected fills and solos, adds texture and reinforces the mood. The verse-chorus structure is straightforward and effective, providing predictable energy shifts that are easy for editors to work with. You've got clear dynamic lifts into the chorus sections which can punctuate scene changes or emotional beats.
Where would this shine? It's a natural fit for scenes depicting tension, confrontation, or perhaps a solitary night drive through a city. Think opening credits for a neo-noir series, underscore for a montage showing a character's descent into trouble, or even background music in a dive bar scene. For advertising, it could work for truck commercials, workwear brands, or anything trying to project toughness and resilience. In gaming, it could suit driving sequences, menu music for a gritty action title, or level underscore where a sense of persistent, low-level threat is needed.
While it might not have the ultra-polished sheen of some high-end cinematic cues, its rawness *is* its selling point. It feels grounded, real, and carries a distinct attitude. It’s a solid piece of genre-specific production music with clear utility for projects needing that driving, slightly dark, rock-infused energy. Definitely a useful asset for specific moods and scenarios.
The production feels authentic and unpolished in a deliberate way, avoiding excessive gloss which actually works in its favour for certain applications. Think indie films needing a touch of realism, gritty crime procedural underscores, or even commercials aiming for an edgier, less mainstream vibe. The mix gives adequate space to each element; the drums punch through nicely, the guitars have presence without completely overwhelming the track, and the vocals sit clearly upfront, delivering the slightly ominous, questioning theme suggested by the title.
Its strength lies in its focused mood. There's an undercurrent of unease mixed with a propulsive drive. This isn't background music designed to disappear; it has character and demands a certain amount of attention. The guitar work, featuring both rhythmic chugging and more melodic, blues-inflected fills and solos, adds texture and reinforces the mood. The verse-chorus structure is straightforward and effective, providing predictable energy shifts that are easy for editors to work with. You've got clear dynamic lifts into the chorus sections which can punctuate scene changes or emotional beats.
Where would this shine? It's a natural fit for scenes depicting tension, confrontation, or perhaps a solitary night drive through a city. Think opening credits for a neo-noir series, underscore for a montage showing a character's descent into trouble, or even background music in a dive bar scene. For advertising, it could work for truck commercials, workwear brands, or anything trying to project toughness and resilience. In gaming, it could suit driving sequences, menu music for a gritty action title, or level underscore where a sense of persistent, low-level threat is needed.
While it might not have the ultra-polished sheen of some high-end cinematic cues, its rawness *is* its selling point. It feels grounded, real, and carries a distinct attitude. It’s a solid piece of genre-specific production music with clear utility for projects needing that driving, slightly dark, rock-infused energy. Definitely a useful asset for specific moods and scenarios.
