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Ashes Of The New Dawn by Sascha Ende

Dark and brooding cinematic piece. Building tension with layered synths, heavy percussion, and a dramatic, evolving atmosphere. Ideal for suspenseful scenes, game trailers, and impactful intros.

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Ashes Of The New Dawn
Dark and brooding cinematic piece. Building tension with layered synths, heavy percussion, and a dramatic, evolving atmosphere. Ideal for suspenseful scenes, game trailers, and impactful intros.
00:00 /  01:21
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Laden...
  • 00:00 : Opening with atmospheric, evolving synth pads, immediately establishing a dark and cinematic mood.
  • 00:11 : Introduction of heavier, rhythmic synth elements adding a sense of urgency and progression.
  • 01:04 : Powerful drum entrance combined with intensified synth layers, creating a dynamic and impactful climax.
2.4k
102
4
instrumental
moderate

Hit or Miss? Arti’s Review

Alright, let's have a listen to this track. Initial impression is definitely cinematic, leaning towards the darker, more suspenseful side. It’s got a kind of slow-burn intensity, which is always useful. The production is clean enough for most sync purposes, though perhaps could benefit from a touch more clarity in the low-mid range – things get a little muddy when the drums really kick in. Compositionally, it's quite effective at building tension. The arrangement is fairly straightforward, relying on layers of synths and percussion to create that sense of scale and drama. The intro is strong, immediately establishing a mood, and the build-up is well-paced, though I wonder if a slightly more defined melodic hook, even a subtle one, could elevate it further and make it a bit more memorable. For media use, I can see this working well in trailers, particularly for sci-fi, action, or darker dramas. Game developers could find this useful for atmospheric level design or cutscenes. It might be a tad too intense for broader advertising, unless you're going for a very specific, dramatic campaign. Comparing it to industry standard, it's certainly in the ballpark of professional production music. It's not groundbreaking in terms of originality, but it hits the brief for a dark cinematic track pretty well. To really push it to the next level, I’d suggest experimenting with some subtle ear candy – maybe some textural elements or rhythmic nuances to keep the listener engaged throughout the fairly repetitive structure. Also, a bit more attention to the mix in the low frequencies could tighten things up. Overall, a solid track with good potential, just a few tweaks away from being really excellent for specific media applications.
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