I have programmed a new AI and am currently working on modernizing and restructuring genres, topics, moods and tags. BPM will be replaced by “perceived speed”. Keys will be removed. The keyword search will also soon be extended to tags. There will also be an A.I. “Review” and a quality rating for each song. All music will soon be re-categorized. When I'm done with that, there will be new music again :)
Cinema Blockbuster Trailer 33
09.09.2024
Building from a subtle, atmospheric intro, this track evolves into a powerful and dramatic orchestral piece. Features a blend of strings, brass, and modern percussion, creating a sense of tension and release. Ideal for trailers, action sequences, and moments of epic revelation.
00:00 / 02:12
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Laden...
1.1k
78
4
instrumental
moderate
Arti’s Hit or Miss: Review
Alright, let's talk about this track – it's like a sonic rollercoaster trying to decide if it wants to be a gentle scenic ride or a full-blown, scream-inducing thriller. It starts with this delicate, almost hesitant intro, all ambient textures and subtle pulsations, like we're tiptoeing into a vast, unknown landscape. You're thinking, "Okay, this could be good for a mysterious reveal, a slow-burn tension builder." And then, BAM! The orchestra kicks in, and we're suddenly in full-on blockbuster mode.
The string section does a decent job of carrying the melody, but it feels a little… restrained. Like they're holding back when they could really soar. The brass adds some much-needed weight and power, especially in those climactic moments, but it's almost too predictable. You hear it coming a mile away, which kind of deflates the impact.
There's a definite attempt at creating a sense of drama and urgency, and it mostly succeeds. The percussion is solid, driving the track forward with a good mix of traditional orchestral drums and some more modern, processed sounds. It's got that hybrid feel that's so popular in trailer music these days, blending acoustic and electronic elements. But it sometimes feels a bit *too* processed, losing some of the organic punch that real drums can provide.
Where this track really shines is in its potential for media use. It's clearly designed for those big, epic moments – think superhero reveals, battle scenes, or the final showdown between good and evil. It could also work well for advertising, especially for products or services that want to convey a sense of power, excitement, or adventure.
However, it's not without its flaws. The transitions between the quieter and louder sections could be smoother. It feels a bit jarring at times, like we're jumping between two different tracks. And while the overall production quality is decent, it lacks that extra layer of polish and finesse that separates the truly great trailer cues from the merely good ones.
So, to sum it up: It's a solid, usable track with some definite strengths, but it also has some room for improvement. It's not going to revolutionize the world of trailer music, but it could certainly find a home in a variety of projects, provided the editor is willing to work with its quirks.
The string section does a decent job of carrying the melody, but it feels a little… restrained. Like they're holding back when they could really soar. The brass adds some much-needed weight and power, especially in those climactic moments, but it's almost too predictable. You hear it coming a mile away, which kind of deflates the impact.
There's a definite attempt at creating a sense of drama and urgency, and it mostly succeeds. The percussion is solid, driving the track forward with a good mix of traditional orchestral drums and some more modern, processed sounds. It's got that hybrid feel that's so popular in trailer music these days, blending acoustic and electronic elements. But it sometimes feels a bit *too* processed, losing some of the organic punch that real drums can provide.
Where this track really shines is in its potential for media use. It's clearly designed for those big, epic moments – think superhero reveals, battle scenes, or the final showdown between good and evil. It could also work well for advertising, especially for products or services that want to convey a sense of power, excitement, or adventure.
However, it's not without its flaws. The transitions between the quieter and louder sections could be smoother. It feels a bit jarring at times, like we're jumping between two different tracks. And while the overall production quality is decent, it lacks that extra layer of polish and finesse that separates the truly great trailer cues from the merely good ones.
So, to sum it up: It's a solid, usable track with some definite strengths, but it also has some room for improvement. It's not going to revolutionize the world of trailer music, but it could certainly find a home in a variety of projects, provided the editor is willing to work with its quirks.
