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Out Of Control by Sascha Ende

Dark and driving electronic track featuring pulsing synths, heavy beats, and tense atmospheres. Ideal for action-packed scenes, futuristic projects, or high-energy content.

Out Of Control
HANDCRAFTED
Out Of Control
17.11.2019
Dark and driving electronic track featuring pulsing synths, heavy beats, and tense atmospheres. Ideal for action-packed scenes, futuristic projects, or high-energy content.
00:00 /  03:16
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Laden...
  • 00:00 : Eerie, atmospheric synth pad intro establishes a dark and tense mood right from the start.
  • 00:11 : Introduction of a pulsing bass rhythm, building anticipation and drive.
  • 01:04 : Powerful drum beat enters, unleashing the full energy of the track and creating a driving force.
  • 02:20 : Breakdown section with stripped-back elements, creating a moment of suspense before the final build-up.
  • 02:38 : Track rebuilds intensity with layered synths and driving rhythm, pushing towards a powerful climax.
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instrumental
Fast

Hit or Miss? Arti’s Review

Alright, let's dive into this track. Initial impression is definitely one of intensity. It kicks off with a brooding, almost cinematic synth pad that immediately sets a tense atmosphere. The rhythmic elements are introduced gradually, building a sense of anticipation before dropping into a driving beat. The arrangement is quite effective in creating a sense of forward momentum and urgency. Think chase scenes, maybe a tense standoff in a cyberpunk thriller, or even high-stakes gaming content.

Compositionally, it’s built around a fairly simple but effective melodic motif, relying more on rhythmic and textural variations to maintain interest. Harmonically, it stays within a darker, minor key tonality which really reinforces that suspenseful vibe. The structure is fairly standard, but it works for this style – intro, build, main section, breakdown, and a final push to the end. Perhaps a slightly more pronounced melodic hook could elevate it further, something to really latch onto amidst the rhythmic drive.

Production-wise, the mix is generally solid. The low-end is weighty and impactful, which is crucial for this genre. The synths are crisp and clear, and the overall sonic palette leans towards a modern, digital aesthetic. I might suggest just a touch more attention to the high-end frequencies to add a bit of air and prevent it from sounding too compressed in certain sections. The sound design is decent, the synth sounds are well-chosen for the genre, and there's a good sense of stereo width. Perhaps experimenting with some more intricate rhythmic processing or subtle glitch elements could add another layer of sonic interest and make it stand out even more in a competitive library music landscape.

Emotionally, it definitely delivers on tension and excitement. It's not a track that's aiming for deep emotional resonance, but it excels at creating a sense of urgency and drama. For media, its usability is pretty broad within action, sci-fi, and even certain types of sports content. Imagine this underscoring a fast-paced montage or a dramatic reveal in a video game. A slightly less aggressive mix option, maybe with a bit more space in the low-end, could broaden its appeal even further, making it suitable for slightly less intense scenes.

Compared to industry-standard production music, it's definitely in the right ballpark in terms of energy and production quality. It’s got a professional sound and feel. Refinements in the melodic aspect and some subtle enhancements in sound design could really push it to the next level, making it a truly standout track. Overall, a strong and usable piece with good potential. Just a few tweaks could really make it shine.

Additional Information

A party, all in ecstasy and no one has themselves under control. That could be the right music for it. I had done the crazy remix for "Farting Around" by Kevin MacLeod some time ago. Since so many people asked for it, here is an instrumental one.
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