I have programmed a new AI and am currently working on modernizing and restructuring genres, topics, moods and tags. BPM will be replaced by “perceived speed”. Keys will be removed. The keyword search will also soon be extended to tags. There will also be an A.I. “Review” and a quality rating for each song. All music will soon be re-categorized. When I'm done with that, there will be new music again :)
KÄSITYÖTÄ
Flight Pack 1 - 6/6 (Dubby)
27.07.2013
A driving, rhythmic electronic track that blends a dub-influenced bassline with glitchy, percussive elements and airy synth pads. Great for urban settings, technology showcases, or energetic advertising campaigns.
00:00 / 02:13
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instrumental
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Arti’s Hit or Miss: Review
"Flight Pack 1 - 6/6 (Dubby)" establishes a confident, energetic groove right from the start. The interplay between the dub-inspired bass and the intricate, almost glitchy percussion creates a captivating rhythmic foundation. It's the kind of track that immediately makes you want to move, but it also has a subtle complexity that keeps you engaged. The airy synth pads that float in and out provide a nice contrast, adding a layer of atmosphere without ever feeling too washed out.
One thing that struck me is the clever use of stereo width. The percussion, in particular, feels very present and 'alive' thanks to some subtle panning and delay effects. It gives the track a sense of space that would work well in a variety of visual media, from a fast-paced car chase to a sleek product reveal.
While the track is well-produced, I feel it could slightly benefit from a bit more dynamic variation. Perhaps introducing a brief breakdown or a section with a slightly altered bassline could elevate it further, providing a moment of contrast before returning to the main groove. This would make it even more adaptable for longer-form content, like documentary segments or video game levels, where a bit of ebb and flow is crucial.
The mix is clean and everything sits well together. It has a professional polish, maybe not with reference level, but ready to be used in professional contexts.
Overall, this is a solid piece of production music with a lot of potential. It’s easy to imagine it playing in the background of an advertisement for a new tech gadget, a stylish urban fashion show, or even an intense scene in a video game.
One thing that struck me is the clever use of stereo width. The percussion, in particular, feels very present and 'alive' thanks to some subtle panning and delay effects. It gives the track a sense of space that would work well in a variety of visual media, from a fast-paced car chase to a sleek product reveal.
While the track is well-produced, I feel it could slightly benefit from a bit more dynamic variation. Perhaps introducing a brief breakdown or a section with a slightly altered bassline could elevate it further, providing a moment of contrast before returning to the main groove. This would make it even more adaptable for longer-form content, like documentary segments or video game levels, where a bit of ebb and flow is crucial.
The mix is clean and everything sits well together. It has a professional polish, maybe not with reference level, but ready to be used in professional contexts.
Overall, this is a solid piece of production music with a lot of potential. It’s easy to imagine it playing in the background of an advertisement for a new tech gadget, a stylish urban fashion show, or even an intense scene in a video game.
