I have programmed a new AI and am currently working on modernizing and restructuring genres, topics, moods and tags. BPM will be replaced by “perceived speed”. Keys will be removed. The keyword search will also soon be extended to tags. There will also be an A.I. “Review” and a quality rating for each song. All music will soon be re-categorized. When I'm done with that, there will be new music again :)
Cinematic Trailer 002
23.05.2024
Building orchestral tension with driving strings, impactful percussion, and subtle electronic textures. Ideal for action sequences, dramatic trailers, and moments requiring a sense of urgency.
00:00 / 01:48
Kliknij tutaj
Laden...
2k
106
4
instrumental
moderate
Arti’s Hit or Miss: Review
"Cinematic Trailer 002" starts with a very classic, almost expected build-up. It delivers the tension right away, using those staccato strings and low brass hits that are practically synonymous with the trailer genre. I like how the percussion comes in; it's not just a simple boom, but it's got that processed, slightly distorted edge that gives it extra weight.
The composition itself is effective, if a touch familiar. We get that gradual crescendo, adding layers of instrumentation, which is definitely what you want in this kind of track. It's doing its job of building anticipation, and the change-up around the 0:22 mark – bringing in those faster string runs – adds a nice dynamic shift.
Sound-wise, there’s a solid foundation here. I appreciate the clarity in the mix. The low-end is present, but it doesn't overwhelm the other elements, which is a plus. For production music in the trailer field, this clarity will be crucial on various systems.
While it hits a lot of the right notes for a trailer cue, it could benefit from a little more individuality. There’s a moment around 0:40 where it hints at something more unique, a brief melodic motif with a kind of otherworldly texture, but the piece pulls back. Exploring this a bit more could push it beyond the standard trailer sound. That being said, the raw elements are all well-produced.
Overall, it's a highly functional track that would definitely find a home in action trailers, suspenseful game scenes, or even high-impact advertising. It’s doing precisely what it sets out to do – creating an immediate sense of tension and building toward a powerful climax. While it might not be revolutionary, it is undeniably effective and delivers a good, robust sound, and that's often exactly what a client needs.
The composition itself is effective, if a touch familiar. We get that gradual crescendo, adding layers of instrumentation, which is definitely what you want in this kind of track. It's doing its job of building anticipation, and the change-up around the 0:22 mark – bringing in those faster string runs – adds a nice dynamic shift.
Sound-wise, there’s a solid foundation here. I appreciate the clarity in the mix. The low-end is present, but it doesn't overwhelm the other elements, which is a plus. For production music in the trailer field, this clarity will be crucial on various systems.
While it hits a lot of the right notes for a trailer cue, it could benefit from a little more individuality. There’s a moment around 0:40 where it hints at something more unique, a brief melodic motif with a kind of otherworldly texture, but the piece pulls back. Exploring this a bit more could push it beyond the standard trailer sound. That being said, the raw elements are all well-produced.
Overall, it's a highly functional track that would definitely find a home in action trailers, suspenseful game scenes, or even high-impact advertising. It’s doing precisely what it sets out to do – creating an immediate sense of tension and building toward a powerful climax. While it might not be revolutionary, it is undeniably effective and delivers a good, robust sound, and that's often exactly what a client needs.
