- Licencja CC BY 4.0
- Numer ISRC DELJ81517592
- Data wydania 01.12.2015
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Gatunki muzyczne
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Tematy
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Nastroje
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Tagi
RĘCZNIE ROBIONE
Infinity
01.12.2015
Rozległy utwór orkiestrowy, rozwijający się od nastrojowych faktur do potężnego, epickiego punktu kulminacyjnego. Zawiera bujne smyczki, odważną blachę i dynamiczną perkusję, idealny do zwiastunów filmowych, dramatycznych scen lub inspirującego brandingu korporacyjnego.
00:00 / 03:45
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- 00:00 : Atmospheric opening with evolving pads and subtle strings, establishing a sense of space and anticipation.
- 00:16 : Introduction of a gentle thematic motif in woodwinds/strings, adding emotional depth.
- 00:37 : Low strings and subtle rhythmic elements enter, beginning the gradual build-up in intensity.
- 00:54 : Significant energy increase with the entry of powerful percussion and a prominent brass motif.
- 01:11 : First major climax section begins. Full orchestra, driving rhythm, creating an epic and powerful feel.
- 01:45 : Transition section: Intensity drops, providing a brief emotional pause and bridge.
- 02:23 : Second build-up commences, reintroducing themes with growing orchestral force.
- 02:57 : Peak climax: The most intense section of the track, featuring the full ensemble in a powerful, soaring statement.
- 03:32 : Resolution begins; the track starts to fade, returning to a calmer, atmospheric texture, providing closure.
6.5k
385
9
instrumental
moderate
Right from the outset, 'Infinity' establishes itself as a premium cinematic asset. It opens with a beautifully crafted atmospheric bed – think delicate, evolving textures mixed with poignant string whispers – immediately setting a tone of anticipation and scale. This isn't just background noise; it's a scene-setter, perfect for establishing shots, drone footage sweeping over landscapes, or the thoughtful opening of a corporate documentary highlighting vision and scope.
The arrangement shows a masterful understanding of dramatic structure. There's a patient, organic build here. Low strings and subtle rhythmic pulses enter around the 37-second mark, gradually weaving a sense of purpose without rushing the mood. This makes it highly adaptable for editors needing to build tension gradually over a sequence.
The first major crescendo, kicking in around 0:54 with the arrival of powerful percussion and brass motifs, is where the track truly reveals its potential for high-impact moments. It’s bold, majestic, and carries a sense of determined forward motion. This section would be absolutely killer for a movie trailer reveal, a major product launch sequence in an advertisement, or signifying a crucial turning point in a video game narrative. The brass isn't just loud; it's thematic and emotionally resonant, adding a layer of heroism or significance.
What's particularly strong from a usability standpoint is the track's dynamic range and clear structural points. The drop back down around 1:45 provides a necessary breather, an emotional checkpoint before rebuilding. This kind of structure is gold for sync licensing, offering natural edit points for cutting between scenes or aligning with voiceover cues.
The second build and climax (starting around 2:23) mirror the first but feel even more resolute, often a requirement for final acts or conclusive brand statements. The full orchestral force here, combined with the driving rhythm, delivers a truly uplifting and powerful punch. It evokes feelings of achievement, hope, and expansive possibility – ideal for non-profits showcasing impact, tech companies unveiling innovation, or the climax of an adventure film.
Production quality is top-tier. The mix is clean, wide, and dynamic, allowing the distinct orchestral sections to shine without becoming muddy. The strings have a lushness, the brass has bite, and the percussion provides a solid, driving foundation. Even the quieter, atmospheric sections retain clarity and depth.
In terms of applications, 'Infinity' is incredibly versatile within the cinematic and corporate spheres. Its epic scope lends itself naturally to trailers (especially fantasy, adventure, sci-fi), main title themes for games or series, and large-scale event openings (award shows, conferences). For advertising, it’s perfect for brands aiming for an aspirational, premium, or inspiring image – automotive, financial services, technology, travel. It could underpin powerful storytelling in documentaries or provide a stirring background for podcast intros focused on grand ideas or historical narratives. The overall feeling is one of polished, professional grandeur with a deeply human emotional core. This track doesn't just fill space; it elevates the narrative.
The arrangement shows a masterful understanding of dramatic structure. There's a patient, organic build here. Low strings and subtle rhythmic pulses enter around the 37-second mark, gradually weaving a sense of purpose without rushing the mood. This makes it highly adaptable for editors needing to build tension gradually over a sequence.
The first major crescendo, kicking in around 0:54 with the arrival of powerful percussion and brass motifs, is where the track truly reveals its potential for high-impact moments. It’s bold, majestic, and carries a sense of determined forward motion. This section would be absolutely killer for a movie trailer reveal, a major product launch sequence in an advertisement, or signifying a crucial turning point in a video game narrative. The brass isn't just loud; it's thematic and emotionally resonant, adding a layer of heroism or significance.
What's particularly strong from a usability standpoint is the track's dynamic range and clear structural points. The drop back down around 1:45 provides a necessary breather, an emotional checkpoint before rebuilding. This kind of structure is gold for sync licensing, offering natural edit points for cutting between scenes or aligning with voiceover cues.
The second build and climax (starting around 2:23) mirror the first but feel even more resolute, often a requirement for final acts or conclusive brand statements. The full orchestral force here, combined with the driving rhythm, delivers a truly uplifting and powerful punch. It evokes feelings of achievement, hope, and expansive possibility – ideal for non-profits showcasing impact, tech companies unveiling innovation, or the climax of an adventure film.
Production quality is top-tier. The mix is clean, wide, and dynamic, allowing the distinct orchestral sections to shine without becoming muddy. The strings have a lushness, the brass has bite, and the percussion provides a solid, driving foundation. Even the quieter, atmospheric sections retain clarity and depth.
In terms of applications, 'Infinity' is incredibly versatile within the cinematic and corporate spheres. Its epic scope lends itself naturally to trailers (especially fantasy, adventure, sci-fi), main title themes for games or series, and large-scale event openings (award shows, conferences). For advertising, it’s perfect for brands aiming for an aspirational, premium, or inspiring image – automotive, financial services, technology, travel. It could underpin powerful storytelling in documentaries or provide a stirring background for podcast intros focused on grand ideas or historical narratives. The overall feeling is one of polished, professional grandeur with a deeply human emotional core. This track doesn't just fill space; it elevates the narrative.
