I have programmed a new AI and am currently working on modernizing and restructuring genres, topics, moods and tags. BPM will be replaced by “perceived speed”. Keys will be removed. The keyword search will also soon be extended to tags. There will also be an A.I. “Review” and a quality rating for each song. All music will soon be re-categorized. When I'm done with that, there will be new music again :)
Cinema Blockbuster Trailer 20
06.09.2024
A powerful orchestral track with driving percussion, soaring strings, and a heroic brass section. Ideal for epic movie trailers, intense action sequences, and high-stakes video game moments.
00:00 / 02:12
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Laden...
915
61
3
choir
moderate
Arti’s Hit or Miss: Review
Okay, let's dive into this track! You know what? It immediately screams "blockbuster trailer." It's got that classic, big-budget Hollywood sound—think Hans Zimmer but, perhaps, not *quite* at that legendary level. Let me explain: The opening is strong with these low, ominous brass hits. Very effective. It sets the stage, you know? Like, "Get ready, something BIG is coming!"
Here’s the thing: The string ostinatos that come in are pretty standard, almost a little *too* familiar. I mean, they do the job, building tension, but they don't really break any new ground, right? It’s well-produced, solid—definitely professional. There are no glaring technical issues. The mix is pretty good, everything sits where it should, no frequency clashes. The stereo image is nice and wide, as expected for this type of cinematic piece. It's well-mastered, no distortion. But, I want something unexpected, I want to get really emotional about this, and it's not quite getting me there. Like, that's the point, is it not?
Now, the choir... that's where it gets interesting! The choir adds a really nice layer of drama and scale. Are they real voices, or sampled? Hard to say for sure, but they sound pretty convincing—which is crucial. No one wants a cheesy, obviously fake choir, right? Adds a certain sense of nobility or grandiosity. The choir adds that human element. It works really nicely when layered with strings and percussion.
But then, the middle section... It feels a bit repetitive. It plateaus a little. There are some nice dynamic shifts. You can see how this track could be cut up and used really effectively in a trailer – you've got your quiet, tense moments, your big build-ups, and your epic climaxes. It's all there.
For media use, honestly, this track is a safe bet. You can do a lot with it, I guess. It’s got the right ingredients to underscore all sorts of high-stakes scenarios. Action, adventure, fantasy… it ticks all the boxes. So, is it groundbreaking? No. But it’s well-executed, functional, and delivers the expected emotional impact. It’s a solid, dependable track for the right project, and for a library, that's not always a bad thing.
Here’s the thing: The string ostinatos that come in are pretty standard, almost a little *too* familiar. I mean, they do the job, building tension, but they don't really break any new ground, right? It’s well-produced, solid—definitely professional. There are no glaring technical issues. The mix is pretty good, everything sits where it should, no frequency clashes. The stereo image is nice and wide, as expected for this type of cinematic piece. It's well-mastered, no distortion. But, I want something unexpected, I want to get really emotional about this, and it's not quite getting me there. Like, that's the point, is it not?
Now, the choir... that's where it gets interesting! The choir adds a really nice layer of drama and scale. Are they real voices, or sampled? Hard to say for sure, but they sound pretty convincing—which is crucial. No one wants a cheesy, obviously fake choir, right? Adds a certain sense of nobility or grandiosity. The choir adds that human element. It works really nicely when layered with strings and percussion.
But then, the middle section... It feels a bit repetitive. It plateaus a little. There are some nice dynamic shifts. You can see how this track could be cut up and used really effectively in a trailer – you've got your quiet, tense moments, your big build-ups, and your epic climaxes. It's all there.
For media use, honestly, this track is a safe bet. You can do a lot with it, I guess. It’s got the right ingredients to underscore all sorts of high-stakes scenarios. Action, adventure, fantasy… it ticks all the boxes. So, is it groundbreaking? No. But it’s well-executed, functional, and delivers the expected emotional impact. It’s a solid, dependable track for the right project, and for a library, that's not always a bad thing.
