HÅNDLAVET
You Are Too Good
14.11.2014
Drivende synth-pop med lagdelte elektroniske teksturer, pulserende bas og følelsesladet mandlig vokal. Bygger op fra atmosfæriske vers til et opløftende, anthemisk omkvæd. Ideel til moderne tech-spots, virksomhedsvideoer, livsstilsreklamer og scener, der kræver en blanding af refleksion og håbefuld energi.
00:00 / 03:58
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Laden...
- 00:00 : Direct vocal hook entry over atmospheric synth pad, immediate engagement.
- 00:15 : Introduction of the core rhythmic arpeggiated synth line, establishing the driving groove.
- 00:31 : Full beat enters, verse begins with clear male vocal lead.
- 01:03 : Chorus arrives with layered vocals and increased synth intensity, creating an uplifting, anthemic feel.
- 01:37 : Instrumental break featuring the main synth motifs, maintaining energy.
- 02:11 : Second chorus hits, reinforcing the track's central emotional theme.
- 02:44 : Brief breakdown/bridge section, slightly filtered vocals add textural variation before the final push.
- 03:17 : Final chorus section begins, building to the track's energetic peak.
- 03:49 : Music begins to fade out, concluding with lingering synth textures.
4.9k
253
7
male
Fast
Alright, let's talk about "You Are Too Good." Straight off the bat, this track presents itself as a well-crafted piece of modern synth-pop with clear usability across various media landscapes. The production is clean, polished, and immediately positions the song within a contemporary electronic framework, though with distinct nods to classic 80s sensibilities, particularly in the synth choices and vocal delivery style.
The track opens effectively with an atmospheric pad and a direct vocal hook, drawing the listener in before introducing a driving, arpeggiated synth sequence around the 15-second mark. This instantly establishes a sense of momentum and forward motion. The core instrumentation relies heavily on layered synthesizers – warm pads providing the atmospheric bed, rhythmic arpeggiations creating the drive, and a steady, supportive electronic drum pattern anchoring the groove. The bassline is solid, providing rhythmic punctuation without overpowering the mix.
The male vocal performance is central to the track's appeal. It's delivered with clarity and conviction, carrying an emotive quality that balances vulnerability in the verses with a more soaring, anthemic feel in the choruses. The slight processing on the vocals integrates them well within the electronic soundscape, feeling modern and intentional. Lyrically (based purely on audible snippets like "You are too good to be cruel," "I play the part of the fool"), it suggests themes of relationship dynamics, self-awareness, and perhaps a touch of hopeful melancholy, adding a layer of depth that can resonate well in storytelling contexts.
Structurally, the song follows a familiar but effective verse-chorus pattern, with well-defined transitions and dynamic builds. The choruses provide significant lifts in energy, making them ideal punctuation points for visual cuts, reveals, or moments of emotional emphasis in film or advertising. The instrumental sections offer breathing room and maintain the driving feel, suitable for underscore or montage sequences.
From a usability perspective, this track is highly versatile. Its polished, modern sound makes it a strong contender for corporate branding videos, tech product launches, and lifestyle advertising – particularly campaigns targeting a younger, aspirational demographic. The driving rhythm lends itself well to travel vlogs, driving scenes, or dynamic presentations. The emotional undertones, especially in the chorus, could effectively score scenes depicting personal growth, overcoming challenges, or reflective moments in dramas or documentaries. For podcasts or YouTube content, it serves as an engaging intro/outro theme or a background bed that adds energy without being overly distracting. While perhaps not complex enough for intricate game scoring, it could certainly fit menu screens, transition sequences, or optimistic moments in narrative-driven indie games. The overall feel is positive and forward-looking, but with enough emotional nuance to avoid sounding generic. It's a dependable, professionally executed track ready for deployment.
The track opens effectively with an atmospheric pad and a direct vocal hook, drawing the listener in before introducing a driving, arpeggiated synth sequence around the 15-second mark. This instantly establishes a sense of momentum and forward motion. The core instrumentation relies heavily on layered synthesizers – warm pads providing the atmospheric bed, rhythmic arpeggiations creating the drive, and a steady, supportive electronic drum pattern anchoring the groove. The bassline is solid, providing rhythmic punctuation without overpowering the mix.
The male vocal performance is central to the track's appeal. It's delivered with clarity and conviction, carrying an emotive quality that balances vulnerability in the verses with a more soaring, anthemic feel in the choruses. The slight processing on the vocals integrates them well within the electronic soundscape, feeling modern and intentional. Lyrically (based purely on audible snippets like "You are too good to be cruel," "I play the part of the fool"), it suggests themes of relationship dynamics, self-awareness, and perhaps a touch of hopeful melancholy, adding a layer of depth that can resonate well in storytelling contexts.
Structurally, the song follows a familiar but effective verse-chorus pattern, with well-defined transitions and dynamic builds. The choruses provide significant lifts in energy, making them ideal punctuation points for visual cuts, reveals, or moments of emotional emphasis in film or advertising. The instrumental sections offer breathing room and maintain the driving feel, suitable for underscore or montage sequences.
From a usability perspective, this track is highly versatile. Its polished, modern sound makes it a strong contender for corporate branding videos, tech product launches, and lifestyle advertising – particularly campaigns targeting a younger, aspirational demographic. The driving rhythm lends itself well to travel vlogs, driving scenes, or dynamic presentations. The emotional undertones, especially in the chorus, could effectively score scenes depicting personal growth, overcoming challenges, or reflective moments in dramas or documentaries. For podcasts or YouTube content, it serves as an engaging intro/outro theme or a background bed that adds energy without being overly distracting. While perhaps not complex enough for intricate game scoring, it could certainly fit menu screens, transition sequences, or optimistic moments in narrative-driven indie games. The overall feel is positive and forward-looking, but with enough emotional nuance to avoid sounding generic. It's a dependable, professionally executed track ready for deployment.
