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Angry User vs. A.I. [angry a.i. radio edit] (feat. A.I.) by Sascha Ende

Optymistyczny jazz-popowy utwór napędzany chodzącym basem i figlarnym fortepianem. Zawiera narracyjny wokal prowadzący i chórki wspierające, tworząc dziwaczną, fabularną atmosferę idealną do lekkich treści, reklam lub scen komediowych.

Angry User vs. A.I. [angry a.i. radio edit] (feat. A.I.)
Optymistyczny jazz-popowy utwór napędzany chodzącym basem i figlarnym fortepianem. Zawiera narracyjny wokal prowadzący i chórki wspierające, tworząc dziwaczną, fabularną atmosferę idealną do lekkich treści, reklam lub scen komediowych.
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  • 00:04 : Lead male vocal entry, establishing the narrative style over piano and walking bass.
  • 00:18 : First entry of choir/backing vocals ('But all the irony...'), adding harmonic texture and reinforcing the theme.
  • 00:34 : Slight pause and shift in vocal delivery ('Stop using AI...'), creating emphasis.
  • 00:52 : Return of the prominent choir section, functioning as a catchy hook.
  • 01:08 : Brief instrumental transition leading into a slightly more intense vocal delivery ('He yells in anger...').
  • 01:26 : Return to a verse-like feel with lead vocal driving the narrative forward.
  • 01:38 : Strong repetition of the choir hook ('But oh the irony...').
  • 01:53 : Bridge section begins ('So here's to the builders...'), offering a slight change in perspective/melody.
  • 02:04 : Final vocal section leading towards the conclusion.
  • 02:12 : Final piano flourish and clean ending.
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choir, male
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Alright, let's dive into this track. From a production music standpoint, this piece offers a really interesting and quite specific character. It immediately establishes a lighthearted, slightly quirky, narrative-driven atmosphere, leaning heavily into a jazzy, almost show-tune kind of vibe. The core instrumentation – a clean, prominent walking bass line, swinging piano chords and fills, and what sounds like subtly brushed drums – provides a solid, energetic foundation that feels both classic and engaging.

The production quality is professional. The mix is clean, allowing each element its space. The bass provides the rhythmic and harmonic drive, the piano adds colour and punctuates the vocal phrases effectively, and the percussion keeps the momentum going without overpowering. The stereo field is used well, particularly with the placement of the piano and the layered vocals, giving it a sense of space and clarity suitable for broadcast or digital media.

Where this track really carves its niche is in the vocal performance and arrangement. The lead vocal has a clear, conversational, almost theatrical delivery that strongly suggests storytelling. This isn't just background music; it wants to be part of the narrative. The addition of the choir or backing vocals, often responding to or reinforcing the lead lines (especially in the 'irony' sections), adds a fantastic layer of texture and reinforces that slightly whimsical, commentary-like feel. This call-and-response structure is a definite strength, creating memorable hooks and enhancing the track's personality.

Emotionally, it sits firmly in the positive, upbeat, and slightly humorous camp. There's an inherent bounciness and optimism, even if the (implied) lyrical theme might touch on conflict or irony. This makes it exceptionally well-suited for content needing a touch of wit, charm, or playful energy. Think quirky commercials, especially for tech or service industries where a bit of self-aware humour works well. It could be fantastic for explainer videos, animations, or even the opening/closing credits of a lighthearted web series or podcast discussing modern life, technology, or social observation.

Its usability extends to scenarios requiring a retro or vintage feel without being strictly period-specific. The jazz influence gives it a timeless quality that could underscore scenes in comedies, perhaps highlighting a character's internal monologue or a montage sequence with a comedic twist. While maybe not ideal for deeply dramatic or atmospheric scoring, its distinct personality makes it a strong contender for anything needing characterful, forward-moving, and slightly cheeky underscore. The arrangement offers distinct sections – verses driven by the lead vocal, more harmonically rich choruses with the choir – providing editors with good points for cutting or looping. The consistent tempo and groove also make it easy to work with against picture. It’s a well-executed piece with a clear identity, ready for sync in projects seeking that specific blend of jazz, pop, and narrative charm.

Additional Information

LYRICS

[Verse 1]
In a world where machines start to learn,
There’s a user who’s just about to turn.
He types in anger, frustration, and disdain,
“This site’s now stupid,” his complaint plain.

[Chorus]
But oh, the irony in his plea,
Demanding everything for free.
The creator’s not lazy, if only he knew,
Crafting handmade music, and innovations too.

[Verse 2]
“Stop using AI,” he shouts into the void,
A tool for creation, its use he’s annoyed.
For the webmaster, it’s a labor of love,
A symphony of code, from below and above.

[Chorus]
But oh, the irony in his plea,
Demanding everything for free.
The creator’s not lazy, if only he knew,
Crafting handmade music, and innovations too.

[Bridge]
He yells in anger, a paradox in sight,
Using the platform, into the night.
Doesn’t pay a dime, expects the world,
In this story of irony, unfurled.

[Verse 3]
The creator stands, his efforts unseen,
Juggling roles, a one-man machine.
Not for the money, but for the art,
Pouring in his soul, right from the start.

[Chorus]
But oh, the irony in his plea,
Demanding everything for free.
The creator’s not lazy, if only he knew,
Crafting handmade music, and innovations too.

[Outro]
So here’s to the builders, the dreamers, the ones who dare,
Using AI, with vision, they share.
To the complainers, may you one day see,
The beauty of creation, in technology.
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